Alexander Mitchell spent two decades producing projects for others. Now, he introduces his first personal exhibition, The Sacrifice, featuring The Fallen Caryatid Studies and The St. Sebastian Studies. Both center on sacrifice, defining distinct expressions of endurance and devotion.
lexander Mitchell’s The Sacrifice marks his first personal exhibition after two decades of producing projects for others. Developed from conversations with Shohei Otomo, the exhibition explores the idea that meaningful art demands sacrifice—whether through suffering, loss, or dedication. This concept materializes through two distinct series: The Fallen Caryatid Studies and The St. Sebastian Studies. Though conceived separately, they form a compelling dialogue on endurance and faith.
The Fallen Caryatid Studies extends Auguste Rodin’s exploration of burden and resilience, informed by Robert Heinlein’s critique in Stranger in a Strange Land. The St. Sebastian Studies reflects Mitchell’s fascination with martyrdom, drawing from classical paintings by Mantegna and Reni, as well as photographic portrayals of Yukio Mishima and Muhammad Ali. Together, these works examine contrasting forms of sacrifice—civic versus ideological, slow versus sudden, crushing versus piercing—creating layered interpretations of devotion and suffering.
lexander Mitchell’s The Sacrifice marks his first personal exhibition after two decades of producing projects for others. Developed from conversations with Shohei Otomo, the exhibition explores the idea that meaningful art demands sacrifice—whether through suffering, loss, or dedication. This concept materializes through two distinct series: The Fallen Caryatid Studies and The St. Sebastian Studies. Though conceived separately, they form a compelling dialogue on endurance and faith.
The Fallen Caryatid Studies extends Auguste Rodin’s exploration of burden and resilience, informed by Robert Heinlein’s critique in Stranger in a Strange Land. The St. Sebastian Studies reflects Mitchell’s fascination with martyrdom, drawing from classical paintings by Mantegna and Reni, as well as photographic portrayals of Yukio Mishima and Muhammad Ali. Together, these works examine contrasting forms of sacrifice—civic versus ideological, slow versus sudden, crushing versus piercing—creating layered interpretations of devotion and suffering.
Alexander Mitchell’s debut exhibition, The Sacrifice, opened at WALLS TOKYO on August 1, 2024. The event brought together artists, collectors, and curators to mark the first public presentation of his work.
The night saw strong attendance, with discussions centered on the exhibition’s exploration of sacrifice. Thank you to all who attended and engaged.
Alexander Mitchell’s debut exhibition, The Sacrifice, opened at WALLS TOKYO on August 1, 2024. The event brought together artists, collectors, and curators to mark the first public presentation of his work.
The night saw strong attendance, with discussions centered on the exhibition’s exploration of sacrifice. Thank you to all who attended and engaged.